|
Aliasing
|
Refers to displays of bitmapped images, where both curved lines
and diagonal straight lines appear to be jagged due to the way they are composed
of square pixels (sometimes referred to as ‘staircasing’ or ‘jaggies’).
Aliasing also can result from low-resolution scanning-in or
from low resolution camera images. A small file size will show ‘aliasing’ when
image size increases.
|
|
Analogue/Analog
|
A signal that represents sound or vision by electrical analogy,
eg, variations in a DC voltage producing corresponding variations in luminance,
or vice versa. Similarly, a silver photographic negative is an analogue
representation of the subject.
|
|
Anti-aliasing
|
A method of reducing the effect of aliasing by averaging the
densities of pixels at the edges of items such as text, thereby softening their
appearance.
|
|
Bicubic
|
A method of interpolation whereby to, in order to increase
image resolution, the value of the new pixel is determined by averaging from all
those surrounding it. It is the most accurate form of interpolation. It can be
selected as the preferred 'default' setting in Photoshop.
|
|
Binary
|
A numerical coding system using only two digits, 0 and 1.
Two binary digits, or 'bits', can give four possible
combinations:
00, 01, 10, 11
Three bits can give 8 (23) possible
combinations:
000, 001, 010, 011, 100, 110, 111, 101
|
|
Bit
|
Short for 'binary digit'. A single number having the value
either zero or one, which may represent the states of 'on' or 'off'. Eight bits
make up one byte.
|
|
Bit depth
also known as 'bits per pixel'
|
The number of bits used to represent the colour value of each
pixel.
1 bit per pixel displays 2 colours, 2 bits gives 4 colours, 3
bits gives 8 colours and so on. Continuing to 24 bit, we have 16.7 million
colours.
|
|
BMP
|
Windows bitmap file format. This format is uncompressed which can
result in very large files. .RLE is the compressed version of this format.
|
|
Colour Temperature
|
This refers to the predominant colour of the light source. It's
measured in degrees Kelvin (oK), which takes 'Absolute Zero' as its
zero point. The redder the light source, the lower the colour temperature and
conversely, the bluer the light source, the higher the colour temperature.
E.g.
Photographic tungsten ('Photoflood') light = 3,200oK
Electronic flash = 5,500oK
Average daylight = 5,500oK
Note, daylight is extremely variable and can be anything from
the orange/red glow of a sunset to a dull overcast day (which could be
10,000oK or more)
'Daylight' (as opposed to 'Tungsten') colour films are balanced
for a colour temperature of sunlight in mid June at midday.
|
|
Cache
|
High-speed memory chips, which store frequently used
instructions. This is much faster that using conventional RAM.
|
|
Clipboard
|
A designated part of the computer RAM that holds the last item
copied or cut from a file. An item held in the clipboard can be pasted into
other files.
|
|
Clipping
|
Loss of shadow or highlight detail due to the conversion of
grey tones lighter than a certain value to white, or darker than a certain value
to black.
|
|
Clock speed
|
The effective rate at which the central processing unit (CPU)
in a computer communicates with the various elements within it. The processor
runs at a fixed clock-speed, regulated by the pulses of a quartz or other
crystal. The speed is rated in megahertz (MHz) – one megahertz representing one
million instructions per second.
|
|
Cloning
|
The selection and duplication of groups of adjacent pixels
within an image. For example, an area of skin tone can be cloned from another
area to hide a skin blemish. The cloning tooling in most imaging programs can be
varied to select different sized areas of pixels to be cloned and the manner in
which they are cloned.
|
|
CMYK
|
CMYK = [C]yan, [M]agenta, [Y]ellow and [B]lack
The three colours and black used by printers to produce printed
colour illustrations using inks or dyes.
|
|
Compression
|
A digital process which enables data to be stored or
transmitted using less than the normal number of bits. Compression can be
'Lossy', 'Lossless' or 'Virtually Lossless'. There are many types of
compression, JPEG ([J]oint [P]hotographic [E]xperts [G]roup)
is one of the most commonly used, however it is 'Lossy', which means that once
compressed some information is lost, this may or may not be visually apparent,
depending upon the image content.
|
|
Dots per inch (DPI)
|
A measure of the resolution of a scanner or printer.
|
|
Dye sublimation
|
A type of thermal printer giving prints of photographic
quality, whereby dyes are transferred onto the paper (or film) in succession.
|
|
EPS
|
[E]ncapsulated [P]ost[S]cript. File format widely used in desk top publishing (DTP) software.
|
|
File Formats
|
The overall format in which any digital data file is saved.
Choosing the correct format for saving images is important so
as to ensure that files are compatible with various software packages. Some
formats compress the data to reduce space taken for storage. File formats
include TIFF, EPS, GIF, JPG and PICT.
|
|
File size
|
Generally speaking, the file size of an image can be calculated by the formula:
Total No of pixels x No bits per colour = 'X', divide by 8
This gives total No of bytes
E.g.
An image has 1200 x 800 pixels = 960,000 pixels and is stored as 24 bit colour
Therefore we have 960,000 x 24 = 23,040,000 divided by 8
Which gives 2,880,000 bytes or 2.8Mb
We can readily see that as the total number of pixels increases, thus improving
definition, the file size will increase. Also, as 'bit depth' increases, improving colour rendering
and dynamic range, the file size will, again, likewise increase.
The file size will be dependent upon the file format used to save the image.
The total number of pixels is divided by 8 because there are 8 'bits' making up
one 'byte'.
Just to make life more interesting, a 4Mb file stored to different file formats
becomes in:
Photoshop 4/5 = 2.1Mb
TIFF with LZW compression = 1.8Mb
JPEG settings vary from 'good' (104Kb) to 'best' (1.1Mb)
EPS = 5.6Mb.
|
|
Gamma
|
In photographic sensitometry, gamma refers to the slope of the
straight-line portion of the characteristic curve of an emulsion. In digital
imaging, it is a measure of midtone image contrast, the relationship between
input data from an electronic image, and output data telling the monitor how to
display an image.
|
|
Gamut
|
The range of colours (or tones) which can be displayed or
printed by a particular colour system. Many programs and colour management
systems have ‘out of gamut’ warnings, indicating when colours displayed on a
monitor are not reproducible by the printing system in use.
|
|
GIF
|
[G]raphics [I]nterchange [F]ormat. Developed by
Compuserve in 1987 it allows compression of 8 bit images (original intention for
transmission via modems). GIF uses LZW compression and is limited to 256 colours.
|
|
JPEG
|
[J]oint [P]hotographic [E]xperts [G]roup.
A widely used 'Lossy' compression for still images. The amount of compression may be selected.
|
|
Layer
|
A facility in Photoshop and other image programs for overlaying
successive images on the same picture. Each layer may be treated separately or
as part of a group. Think of layers as transparent sheets that may be shuffled
into the required order.
|
|
Linear Array
|
A single row of picture elements which traverses across the
image projected by a lens (in a digital camera) or across a print or
transparency during 'scanning'. The process converts the analogue picture
information into digital data.
Tri-linear arrays have three lines of picture elements each
coated with a primary colour filter i.e. red, green and blue.
Resolution is quoted in ppi or ppc (pixels per inch or cm).
|
|
LZW
|
[L]empel-[Z]iv-[W]elch
A ‘Lossless’ compression routine developed in the 1970s, and
incorporated into the TIFF and GIF file formats.
|
|
Mired
|
If you wish to impress your friends, this stands for
microreciprocal degree and represents 1 million divided by the Kelvin colour
temperature of the light source. It's used as a reference number by manufactures
of colour correction filters. Daylight @ 5,550 oK corresponds to 182
Mired.
|
|
Parallel Port
|
A socket in a computer most often used for connection to a
printer. Parallel ports have 8 parallel wires which send 8 bits (1 byte) of
information simultaneously, in the same amount of time it takes a serial port to
send '1bit'.
|
|
Pixel
|
The term derived from Picture Element. The smallest area
capable of resolving image detail in a pick-up device such as a CCD array.
Pixels are usually square but can be rectangular, triangular or circular.
PPI - [P]ixels [P]er [I]nch
A standard unit of measurement for the spatial resolution of scanned images.
|
|
Primary colours
|
The three primary colours of white light are red, green and blue.
Process colours (CMYK) - Cyan, magenta, yellow and black.
Process inks - The four specific inks used in the four colour printing
process, namely cyan, magenta, and black.
|
|
RAM
|
[R]andom [A]ccess [M]emory
Temporary memory created and used only when the computer is
switched on. The size of images, which can be opened, is dependent on how much
RAM is installed in the computer.
|
|
Resampling
|
Changing the resolution of an image, either by discarding
unwanted pixels, or by interpolating new ones.
|
|
Re-sizing
|
Changing the size of an image without altering the resolution.
Increasing the size will lead to a decrease in image quality.
|
|
Sampling
|
The process of converting analogue value varying continuously
with time into discrete values.
|
|
Saturation
|
The strength or purity of a colour.
|
|
SCSI
|
[S]mall [S]ystems [C]omputer [I]nterface
A port input in a computer that allows high-speed communication
between the computer and a peripheral device. The devices are linked or
'daisy-chained' together. Each device requires an identity number (I.D.) so that
data travelling along the 'bus' (a common pathway) can be recognised.
|
|
Scan resolution
|
The resolution at which an original is scanned. Usually quoted
in pixels per inch (ppi), samples per inch (spi), or Res (pixels per millimetre).
|
|
Serial Port
|
A multi-purpose port on a computer frequently used for
connecting a 'mouse', a graphics pen tablet, a modem or other device. Data is
sent 'in series' i.e.1 bit at a time and is thus 'slow' in comparison to a
parallel port. However for devices such as the mouse etc, speed is not an
essential requirement. Modems connected to a standard telephone line can
only handle one signal at a time.
|
|
Scratch disk
|
A reserved area of a hard disk used for temporarily storing a
copy of an image being processed.
|
|
Sublimation
|
The process by which a solid becomes a gas without first
passing through a liquid state.
|
|
TIFF
|
[T]agged [I]mage [F]ile [F]ormat
Originated by Microsoft and Aldus in the late 1980's this is
the most widely used format today for bitmapped images.
|
|
TWAIN
|
[T]echnology [W]ithout an [I]nteresting [N]ame
A cross platform interface for acquiring images with scanners
and frame grabbers.
|
|
URL
|
[U]niform [R]esource [L]ocator
The standard naming and addressing system on the World Wide
Web. For example the URL of Kodak’s digital imaging page is:
http://www.kodak.com/digitallimaging/digitallimaging.shtml
|
|
Vector graphics
|
A type of computer graphics where images (geometric shapes such
as curves, arcs and lines) are defined as a series of mathematical formulae
rather than a grid of pixels. Also referred to as object-oriented
graphics.
|
|
White balance
|
The relative amounts of red, green and blue light in a light
source. Digital and video cameras can be ‘white balanced’ i.e. the signal
adjusted so that the light reflected from a white or neutral grey surface can be
neutralised.
|
|
ZIP
|
A compression method used to compress files for easier storage.
|